VESELO SELO, or HAPPY
VILLAGE, was founded by two dancing enthusiasts, Pat Thomas Adamek and
Aune Billingsly. They delighted in teaching their friends and
associates willing to learn traditional dances. Soon, these friends
encouraged others who loved music and dancing to join the group. As the
crowd of dancers grew, they started to meet regularly to execute these
dances as a means of entertainment and camaraderie. In time they became
organized. In June, 1970, as members kept adding more dances to the
meager record collection, a dance studio at 719 N. Anaheim Blvd that
was available every night of the week was rented.
There were
designated specialized nights such as Greek, Israeli, Hungarian, etc.,
selected by those individuals who volunteered to teach and host the
programs. There were predominantly Balkan dances in the record
library by that time and as a result there were more nights of
predominantly Serbian, Macedonian, Bulgarian, Croatian and Romanian
dances. Dances form Armenia, Albania, Greece, Israel, and Turkey
were included. Saturday was always designated as an International
Night and was open to all requests. Over time, the tunes were
sprinkled with music from Africa and Asia, not to mention the popular
square dances of the U.S.A.
The constantly increasing
repertoire of music from such countries as Armenia, Romania, Serbia,
Croatia, Macedonia, Bulgaria, Albania, Greece, Israel, Turkey, and
other surrounding countries contributed to the more than four thousand
music pieces collected, compiled, stored and played upon request by the
members during Saturday night meetings.
The multi-cultural
diversity of the VESELO SELO folk dancers is further enhanced on
occasional specialty nights wherein there was featured an
internationally known instructor or a folk dance band. These were
always held on Saturday to accommodate the largest number of people.
There were special parties held from time to time where people
attending were encouraged to wear and display native or traditional
colorful costumes they acquired from abroad.
After some
years, Pat Thomas Adamek and Aune Billingsly transferred the ownership
and operation of Veselo Selo to Bora and Marge Gajicki. Bora had
been a dancer with a Serbian performing group before moving to
California. Therefore, Serbian dances were more often selected.
The next owners were Gerry and Bill Woods followed later by Ken and Jeanette Roberts.
When
the Roberts wished to retire, generous donations from some members of
the folk dance community enabled Veselo Selo to be bought out and
become a co-op officiated by president, vice president, treasurer, and
secretary to run it. The first three presidents were Jim Ulrich,
Carol Maybrier, and Lu Perry in that order. Successive presidents
were Charles Vestal, Ralph Bates, Phyllis Pivar, and Nancy Atwood. The current
president is Lu Perry.
Jim Ulrich had to retired from
dancing due to medical reasons. Carol, Lu, and Phyllis are still
actively involved with Veselo Selo. Carol has a beginners folk dance
class on Wednesday nights at the Unitarian Church of Anaheim, the same
location where Veselo Selo currently dances on Saturday evenings.
VESELO
SELO is an organization that continuously moves forward, constantly
increasing its repertoire of music and dancing by inviting
internationally acclaimed Master Dancers like Dennis Boxell, Bora
Ozkok, Tom Bozigian, Daniela Ivanova, Iliana Bozhanova, Lee Otterholt,
and Yves Moreau, to teach members new dances from abroad. Meanwhile, at
its own turf, it maintains among its prized members instructors: Carol
Maybrier, Pauline Klak, Henrietta Bemis, and Laura Bremer. These people
keep honing their expertise by immersing themselves in international
dance camps and teaching what they learned to the rest of the group
upon their return.
In the spring of 1990 the building that was
being rented came up for sale. Financially it was impossible for
Veselo Selo to buy it. Thus began a big search for a new place to hold
the dances. Eventually Ed Kobetich found a suitable venue at
Hillcrest Park in Fullerton. It had a large space to dance with a fine
wooden floor. It had available a huge room below that was rented for
special occasions, notably New Year's Eve parties and in June Veselo
Selo anniversary parties. Featured at many of these events were
pot-luck dinners and/or folk music ensembles that provided live dance
music.
Early in the new millennium the city of Fullerton
remodeled the landscape surrounding the dance hall building. But
with the completion of the remodeling, the City of Fullerton actively
proceeded to profitably rent out to the general public the newly
created patio space around the dance hall for special occasions,
especially during the summer months. These summertime events
created conflicts with Veselo Selo’s Saturday night dances. As a
compromise, Veselo Selo sought other venues for its dances while
daylight savings time was in effect during the summer. Saturday
night dancing continued at Hillcrest Park in the winter. When the
U. S. Federal Government decreed that the months of daylight savings
were to be increased, it decreased the winter time available for Veselo
Selo at Hillcrest Park.
By then Veselo Selo located rental space
for the Saturday night dances from the Unitarian Church in Anaheim for
the summer time. As the church has good location, ample parking,
clean restrooms, air conditioning, well lighted floor space for
dancing, and a kitchen available for snacking, it was decided to stay
with the church the year around. This avoided the hassle of
switching venues twice a year. At present dancing continues at
the church.
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